Discussing
Our Readings
SONG OF THE SOUL AND THE BRIDEGROOM
St. John of the Cross by
- -Highlight a loving relation with God; connects
with the soul
- -Highly sexually charged
- -Lots of negativity can be found in the poem. evidence:
hidden, abandoned, groaning, fled, wounded, crying, gone
- -Female soul is pursuing the man lover, which is
Christ/God –who is seen as royal in the poem
- -Asks nature if it has seen Him; she searches for
Him throughout the whole poem
- -The soul feels abandoned by Christ who once
captured her then left
- -Apple tree refers to Garden of Eden, “mother”
refers to Eve; renewal of relationship between God and the soul – original sin
is reversed
- -Ending: Bride has been engulfed in devotion and
asks him to rejoice with her and go forth; expresses a desire to continue together
with the bridegroom
Courtly poems
- -1100s – 1400s à height of medieval
monasticism
- -Romance novels about what takes place at court
- -Includes knights and ladies
- -Common theme: unrequited love…the pushing away
of the lady, the more she desires to come back in
- -Translates into the love relationship between
the soul and the Divine
Poems
of Mechthild of Magdeburg
God’s
Absence
- -Absence of god is a positive thing because she
came get stronger and stronger as God is away from her and makes the Divine dear
to her
- - Imprinting and reflection language and imagery
found in the poem in “how the soul speaks to God” stanza
-
“God speaking to the soul”: He will love the
soul forever; everlasting love
Medieval Women Religious
The paradox for Medievals
-
Jesus first appeared to women after his death,
suggesting that women’s prayers are efficacious
o
Women’s prayers are particularly important –
connects to praying to Mary
-
Women were seen as unclean, childish, and prone
to sexual wantonness
o
Were seen as the ones who initiate sexual
contact as opposed to men
A little context
-
Prior to the 6th century, women were
deacons, a role with pastoral authority
-
When women are restricted from the diaconate (Council
of Orleans in 533), there was an increase in female monasticism
o
Women became regulars: those who follow the rule and hours (prayer times)
Medieval Nuns in the High Middle
Ages
-
Height of female monasticism 1100s – 1400s
-
At the beginning less than 10% of those made
saints were women but by the 15th century 28% of saints were women
-
Medieval women’s monasteries emphasized the rule
of community life, virginity, renunciation of property, and enclosure
o
Take vows of obedience, celibacy, and property
Relic: something that remains of a
saint: “saint’s parts”
Primary relics: pieces of the saint
like a bone or a toenail
Secondary relics / contact relics:
things of the saint or something they’ve touched
Reliquary: holds the relic; they
are often imitative. Ex: like a metal arm that holds an arm relic
Types of Women
Religious
-
Nuns: the
“regulars” who followed a rule and lived in a community
-
Anchoress:
women enclosed in a small room, usually adore the Eucharist
o Julian
of Norwich for example
-
Vowess:
usually a widow who took vows of chastity, but not obedience and poverty
-
Beguine:
lay religious women living in a community called a beguinage; write their own rules but live lives dedicated to God;
often do work
o Example:
Mechthild of Magdeburg
o Popular
in Northern Europe
-
Private/public paradox – those that are enclosed
also serve an important public religious function
-
Often do service such as work in hospitals and
feed the poor
What are some of
the emphases of female piety according to Bynum?
-
Complicates female piety. Is it unique to women?
What is said about gender and piety, and whether we can access female piety?
-
A lot of the accounts of women religious are
written by men…therefore, maybe we can’t know
-
Bynum says that female piety is very complex
-
According to Bynum, female piety focuses on
things such as:
o the devotion of Christ’s suffering and wounds
o identification and competition with Mary
o Bride
of Christ
o fascination with the Christ-child
o Strong
Christological/Christological focus
o
Emphasis of the Eucharist à
goes hand in hand with the interest in Christ’s wounds
o there's a variety!
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